I know, it’s a scary word, right? But why? Why are we all scared of a body part? Think of how bizarre it would be if people reacted the same way to the word “elbow” as they do to the word “vagina.” The funniest part to me is that even women are afraid of the word. It seems as though every time I say the word “vagina,” I’m given a startled look/blush followed by a “shh!” and by biological WOMEN: humans who have and see and touch and are connected to their own vagina every day. It’s sad that some women have this sort of “vagina-shame”, but it’s not their fault, really. It is the society we were all born into.
There are strong social constructs that cause words like “vagina” to be taboo. Luckily, there are people worldwide deconstructing these constructs and dismantling the oppressive systems that control our daily lives and dialogues. One such woman is Eve Ensler.
Eve Ensler is a feminist, activist, and playwright queen. Her best known play is “The Vagina Monologues,” written in 1996. The play is a collection of monologues that tell stories or experiences of a woman or multiple women. These monologues range from funny and uplifting stories about body positivity, women loving or discovering their own vaginas, love, menstruation, and, in contrast, incredibly heavy and raw stories of sexual violence, female genital mutilation, and abuse.
The first time I saw “The Vagina Monologues” was almost exactly a year ago today. The production was hyped all over campus, especially in the social justice organizations I was in. I was a freshman in college (at the University of Missouri) and I had no idea what “The Vagina Monologues” was, but I went because what’s more intriguing than a play all about vaginas???
It was incredible. I laughed and cried and I was shaken by how important stories can be. In the two hour span of the show I learned more about women’s bodies, cultural customs of women, intimate partner violence, and feminine experience than I ever could have imagined. My sentiment after watching the production was something along the lines of “Wow. I have a vagina. And I rock!”
Now, one year later, I am preparing to perform in “The Vagina Monologues.” I knew before joining the cast that “The Vagina Monologues” was a production to raise money for local organizations to help end violence against women and girls, BUT I didn’t know that it was an actual international movement.
“The Vagina Monologues” is only a part in the V-Day movement, a movement that creates events and performances to raise money and awareness for violence against women and girls including rape, sex slavery, incest, and genital mutilation. The V-Day movement and “The Vagina Monologues” are an international movement that is increasingly spreading across the world. The production of “The Vagina Monologues” has been translated into over 48 languages and performed in over 140 countries. In Brussels in 2012, nine members of the European Parliament even performed “The Vagina Monologues” as well as danced on February 14th to help raise awareness of the V-Day movement.
A crucial role in being a part of “The Vagina Monologues” cast is education and awareness of women’s issues and body positivity (loving your body as it is). Being a part of the production and getting to hear various monologues really reinforces the importance of storytelling and human experience. Women are treated differently and oppressed differently in each culture. The monologues give a heart-wrenching sneak-peak into the lives and truth of women’s experiences. Not only that, but the monologues provide a unique perspective of women’s lives in various cultures and parts of the world.
Throughout the process of being a performer of “The Vagina Monologues,” I have become one with my monologue. I will be reading from the monologue called “The Vagina Workshop,” which is about a woman who discovers and falls in love with her vagina in a workshop. It’s truly inspiring to me how one woman’s story could hold so much weight and meaning into my life. What’s more, I think of how many women have also been affected by the same monologue throughout the years of thousands and performances, and it’s astonishing.
These monologues don’t just hold value for those watching and/or listening, they hold the same, if not more, for those performing. I am forever changed because of my experience of seeing and being in the production of “The Vagina Monologues.”
And that is something to blog about.